Victor's father, he appears far more concerned towards Victor's wellbeing than his wife, the latter who is constantly influencing his actions. He appears easily excitable and generally kindly and good-natured, and works as a successful fishmonger.
Along with her husband, she dreams of standing alongside the upper echelons of society, believing that she deserves more than a fish merchant's life.
Lord Everglot, Victoria's father, a land-rich, cash-poor aristocrat whose fear of being forced penniless into the streets leads him to arrange a marriage for Victoria as to save their family from the poorhouse. Finis displays hardly any emotion throughout the entire film and is generally quite hard faced much like his wife and finds it very difficult to smile.
Victoria is the daughter of Maudeline and Finis Everglot, a repulsive couple in a "sad, sad state of affairs." Victoria's arranged marriage to Victor was supposed to be her parents' "ticket to [their] rightful place", which means that Victor's family's money would save them from the poor-house.
Victoria is an unassuming but cheerful and good-natured person despite her somewhat unpleasant family.
......Banished to practise his vows
Taking a Jewish folk tale as its inspiration, the film tells the story of a touching romantic triangle between the nervous Victor, the downtrodden Victoria, and the Corpse Bride herself, Emily. Victoria’s parents only want her married so they can get to Victor’s money, while Victor himself doesn’t seem ready for marriage, as we witness in an amusing rehearsal scene where he almost burns the house down.
A grave misunderstanding..........
Meet the Corpse Bride!!!!
You may kiss the Bride!!!!
When Victor goes into the woods to practice his vows and inadvertently proposes to the Corpse Bride, he finds himself whisked away with her to the land of the dead. Victor is terrified at first and just wants to escape,.........................
Finding joy again !!!!!
A grave introduction!!!!
The origin of the folktale can be traced back to Rabbi Isaac Luria of Safed, a 16th century mystic. In the original folktale, "The Finger", the "corpse bride" in question is not a deceased woman, but a demon. In the 19th century Russian-Jewish adaptation, a woman is killed on her wedding day and is buried in her wedding gown. Later, a man on his way to his own wedding sees her ring finger poking out of the ground and thinks that it's a stick. As a joke, he puts his bride's wedding ring on the finger and dances around it, singing and reciting his marriage sacrament. The woman's corpse emerges from the ground (with the man's ring on her finger) and declares herself married to the man.
The folktale adaptation was born of the anti-Jewish Russian pogroms of the 19th century, in which young women were said to have been ripped from their carriages and killed on the way to their weddings. The folktale usually ends with the rabbis deciding to annul the corpse's marriage and the live bride swearing that she will live her marriage in the corpse's memory, part of the Jewish tradition of honoring the dead through the lives and good works of the living.
The allegorical theme of the two brides, one living and one dead, occurs from ancient times in Christian (especially monastic) spirituality. The first evidence comes from the fourth century. It focuses on the differing meanings of the English word "love", which come out better in Latin. Christian love, or "caritas" (hence the English "charity"), is the willful seeking for the good of the other person in all ways. "Amor", which is the main meaning of the word in modern English, concerns the emotional and passionate attraction to the other person. In the allegory, "caritas" is the living, shy, quiet bride (i.e. "Victoria"), whereas "amor" is the dead, extrovert, flagrant bride (i.e. "Emily"). The lesson is that "amor" by itself is selfish and essentially dead, and can only be redeemed by making way for (and being incorporated into) "caritas", which is the true love for the other.
A recurring image through the movie is that of a blue butterfly, ranging from a drawing Victor makes at the beginning, using a live model, to the Corpse Bride herself dissolving into mass of butterflies. This resonates with a European folktale in which a brutally murdered woman would be reborn as a butterfly.